He opened with his iconic bars on “Forgot About Dre,” a seamless continuation of Lamar’s finale. Even the drummer, Anderson.Paak of Silk Sonic, is currently signed to Dre’s Aftermath Entertainment label.Įminem quite literally entered with a bang, appearing on set after the walls blew apart. Dre, who was a mentor to every performer in the show throughout his career. The entire performance was a tribute to Dr. Lamar finished his set proclaiming the performance was “35 summers in the making,” referencing Dr. Dre’s 1992 smash hit, “F**k wit Dre Day.” Lamar was supported by a crew of backup dancers mimicking military-style processions, clad with “Dre Day” sashes, an homage to Dr. The rapper opened with the intro to his “m.A.A.d city,” leading into “Alright” with impressive flow.

Out of all the performers, Lamar has the strongest stage presence, and it showed. It was a stark contrast from the energy in the previous tracks, but it made the transition to Lamar’s segment more powerful. Blige quickly transitioned to a ballad-style “No More Drama,” a slower piece calling for the end of pain and suffering. Blige, who rocked a glamorous two-piece outfit. Next was “Family Affair,” the 2001 hit produced by Dr. club life with flashing lights and dancers which complimented the street life portrayed by Dr. Dre first signed to his Aftermath Entertainment label, dropped from the set ceiling to perform his hit “In Da Club.” The visuals conveyed the L.A. The surprise of the night came following that track when 50 Cent, who Dr. Dre’s bar “let me welcome everybody to the wild wild west” instantly channeled the energy from his hit with the late Tupac Shakur into the arena. The transition from “The Next Episode” to “California Love” sent the packed SoFi Stadium rocking. The cuts between songs were polished and methodical, which made the presence of five artists who could each headline their own Super Bowl shows feel cohesive and natural. atmosphere, and incorporated the city’s iconic lowriders into the choreography. Dre’s protege Snoop Dogg, started off the set list. “The Next Episode,” an upbeat rap anthem featuring Dr. It was part of an all-white strip of mock L.A. Dre seated at a nine-panel mixing board with the switches, knobs and sliders the producer has used to create some of the most impressive beats of the 90’s and 2000’s. Dre and his proteges honoring the history of gangster rap in Los Angeles. And the halftime show - a short but monumental showcase of musical talent - featured Dr. It was the second time in NFL history that a Super Bowl team, the Rams, would play in their home stadium. It took place in SoFi Stadium, which was a 5.5 billion-dollar investment to bring the Rams back to L.A. legends at the Super Bowl LVI halftime show.Įvery aspect of the Super Bowl was connected to the city of Los Angeles. “35 summers in the making,” Kendrick Lamar professed to a rocking crowd of over 70,000 fans in Inglewood, California as part of a star-studded lineup of L.A. It's been 24 years since Aftermath was founded, and to this date, 20 from its 28 releases have earned either platinum or higher plaques.From left to right: Eminem, Kendrick Lamar, Dr. He did help launch some of the household names in hip-hop, notably Eminem in 1998 and Kendrick Lamar in 2012, through his very own Aftermath Entertainment label. Over more than three decades of his career, the legendary producer has two timeless classics The Chronic (1992) and 2001 (1999). Just random people are getting beat down.' It became a lot more violent, you know? Engineers are getting beat down. Just keep the band together,'' Dre's attorney Peter Paterno recalled on HBO's The Defiant Ones. 'I called Dre, and I said, 'Don't break up the deal. Dre was the evil genius behind the recording booth, and Snoop Dogg & Tupac were the troublemakers.Īs things turned violent between the label's president and how he ran the business, Dre made a shocking announcement when he decided to quit Death Row to 'do his own thing.' Following the enormous success of The Chronic in 1992, Death Row had already cemented their place as the most 'unf*ckwithable' label in hip-hop. The Good Doctor was on the top of the world with Suge Knight's Death Row Records before he launched his own.

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